Hiroshima

smudges, they became smudges, places where people
used to stand, sit, exist, before the blast, easier to 
see shadows than the melted faces, missing eyes

enola gay, little boy, happy nursery rhyme in the sky
where men dropped the end of life, bulbous war container
children in the death zone like charcoal burned with no grill

truman’s august angst, questions like grant’s total war to 
conclude inferno, force bushido to surrender their young kamikaze
suicide desperation, a nation’s emperor unwilling to stop suffering

until finished, after nagasaki, inception of nuclear era
destruction, non-fiction, we know, we know, but better
to kiss strangers in streets than think of erasing future’s time

Pontiac

my daughter already talks about the
car she wants an Audi, new, shiny
that her friends will admire like
her iPhone with apps that take
wrinkles out of faces in photos

I tell her about my maroon
dented station wagon, Pontiac
1986 Michigan-made to barely
last past puberty

I parked it with pride
my piece of remembering
that life is unreliable
always ready to
start then stop

blind to history my daughter
will never know the struggle of
driving a car that quit, gave up

for her they don’t exist
like rotary phones
like an indigenous name
turned into painted steel

Paraguayan Heaven

Sitting shotgun in a truck, 3 of us squeezed in the front (Cayo, Ernesto, Me), no seat belts, sipping yerba mate. I’m speaking Spanish, asking questions about recycling plastic and filtering water with chlorine. Cayo drives, points his finger up at the windshield, motioning to each vehicle we pass on the two lane Caazapa highway. Yvaga, he says, cielo, heaven. That’s where you will go when you die, his finger silently communicates. Watching this ritual I see the other drivers smiling at us, their fingers also pointing upward, telling us the same thing.

Cayo asks me about California. The Paraguayan campo has no cable TV, no CNN, no movie theaters. He doesn’t question me about celebrities or our president, he asks about the land, trees, animals, what the air smells like, feels like. I tell him about non-native eucalyptus trees, how they suck water out of the earth, take nourishment away from other plants. He understands. The conversation is easy, like the cumulus clouds that float like cotton above us.

Ernesto speaks and at first I think I comprehend, the cadence sounds the same, but then I’m lost in a time before Spanish, before South American roads. I close my eyes for a few seconds, a lightness takes over. I’m hearing a Guarani language not of an evangelizing church or of plundering capitalism, but of a people, a community. A few minutes later we slow down, pick up a hitchhiker, normal in this part of Paraguay. I see the guy sitting in the truck bed, a large heavy sack between his legs. A man on a journey, we both watch the road, I look out the front, he looks out the back.

When the Roses at 7-Eleven Spoke

We sit in this white bucket, usually once a year to
rest on the counter near lottery tickets and cash
register. In warm water, spayed, our thorns are gone,
left somewhere in Ecuador, swept off the floor,
before they packed us tight to fly far away, then taken
in trucks all over paved roads into rectangular buildings
where fluorescent lights are always on. We watch them
buy beer, cigarettes, some stare at us in wonder that we
have petals, red color, were once alive. They touch,
fondle, rustle our leaves, remembering a moment
with us, that wasn’t us. Others grab us, a dozen at a time,
the number of true love, when money doesn’t matter at all.
Days go by and we start to droop, no one smiles anymore,
wilted, jilted, until one day, they just throw us away.

When The Glass Water Bottle Spoke

I see all the plastic bottles filled and shiny,
pasted labels over clear water within. I’ve

never been jealous of that crinkle sound,
sad little ache after the last drop is gone.

Always wondered what disposable meant,
dented, crushed, twisted, one on top of the

next, in bins, trashcans, on streets. Others
tossed off boats, or tide taken away from sand

into sea. Gulped by curious pelicans hungry
for more than digestive death.

Me, I like lips that touch my rim again and
again, tender sips when I’m brimming with cool

life-giving liquid. But I’m a romantic, I believe
in everlasting love, that you will want me forever.

21st Century Moon

It only keeps track of everything.
Goes by many names: ai, alexa,
amazon, fitbit, iphone, social media,
gps. Records electronic visits,
transactions, steps, sleep, calories
burned.

Dazzled, we are, to attach
ourselves to these portable pieces
of cyborg technology.

We ache deep down for robotic
efficiency, perfection like push ups
and botox injections, owned by the
machine, until we are never lost,
never found, only controlled by
predestined patterns moving our
minds this way and that, a 21st century
mechanical moon making our waves.

Girl Reads Civil War Poem

This poem is called Maggots,
Samantha stands in front of the

classroom with a sly smile. Her
piece inspired by historic conflict,

skips Gettysburg, Antietam, and
all the words of war. No rebel yell,

or regiments, she leaves nurse
descriptions and widow tears for

other poems to divulge. Starts
at the end, she speaks her black

beginning, maggots chewing,
spewing flesh of men without faces,

corpses all in their places for the feast.
She maintains throughout, that nature

intended such death, that it was all
meant to be. Not for North or South,

but for the legless larva to probe
darkness, with their bloody glee.

4 Words In A Line

hard not to smile
when thinking that this
is one of my
favorite things in life

to put four words
on line after line
free to do this
when dishes are done

and the kids are
in bed, and no
one is speaking, not
even the incessant TV

can reach me now
for here it is
just one word, then
the next, neatly placed

like scrabble or a
crossword puzzle, or some
other kind of activity
where concentration is everything

anyway, this is mine
this little moment here
inside my brain’s imagination
where anything is possible

Lost Husband

she wanted to dig up the body
not his body, but the wooden box
with ashes, he is too far from me
she said, need him closer, away from
rain seeping under dirt, talk never
turned to shovels, chardonnay, chardonnay
and words, words, left him in ground
but he wasn’t there either, missing
husband, reward upon return
she put up signs, but
no one ever called