Mary Oliver writes of
flowers and she does it
very well, as I just stare
at words, wishing that
goldenrod could mean
as much to me, stuck in
this urban world, nature
on the fringe, everything
I cannot see, because in
the car I move too fast
to even smell the air,
but excuses will never
win, nor are they really
true, so I keep on writing,
this much I know to do
i give up
nothing to say
words won’t play
for me tonight
want the muse
to sing that
siren song, crash
me into rocks
but no, her
throat is raspy
and i’m just
a mere mortal
not a god
or someone worthy
of such love
but that voice
please, just that
strong slight voice
where are you?
Usually the plan is to
read and read and read
the poems of others, until
something strikes my imagination.
This often works, sometimes it is
just a word, like pulsating or
scramble, a pathway to completely
forget that my shoelaces are tied or
that these fingers belong to me.
Lost in the moment, obvious and
unpoetic, then again, also true.
That really so much writing is just
abstract painting, adding color,
a swirl, skip a line, then do it again,
and again, until the crickets outside
sound like laptop keys, and nothing
is lost, not these seconds, not the
clear air of night, not my quiet mind
making sense of time passing,
time passing.
He pretends to be a poet, but does he even like poetry?
Sawgrass shallows, dark forests and trellises, the
language of description, erudition, evoked through so
much longing to be heard, to be read. But what does
it mean? Instead, he writes about what he knows,
which most nights seems like not a lot, sometimes silence
or that most mundane of all arts, parenting, being a dad,
or he reads half pages of zen books while munching on
frozen blueberries, while trying to remember the pickup time
for ballet. No, he doesn’t live in Paris or London, or
New York, although San Francisco is a writerly city, that frigid
foggy place where he was once young, and a real poet
in his studio apartment with Chinese takeout night after night,
the J Church train rumbling, urban soundtrack mixed with
Sonny Rollins, oh yes, he was cool, back in the day, but now
he sits in the kitchen, barefoot, wondering where his socks are.
hard not to smile
when thinking that this
is one of my
favorite things in life
to put four words
on line after line
free to do this
when dishes are done
and the kids are
in bed, and no
one is speaking, not
even the incessant TV
can reach me now
for here it is
just one word, then
the next, neatly placed
like scrabble or a
crossword puzzle, or some
other kind of activity
where concentration is everything
anyway, this is mine
this little moment here
inside my brain’s imagination
where anything is possible
BIG thanks to WestWard Quarterly for publishing Wait for the Rain.
I read somewhere
Thomas Edison had
a thinking bench
upstairs alone in
that room he
just sat and
thought and thought
and sat, sometimes
he would find
ideas and sometimes
they found him
because he was
waiting and not
really doing much
of anything, kind
of praying to
silence that something
would arrive and
if he sat
long enough and
was very quiet
something always did
I don’t pray every night, but I probably should. After baths, books, conversation with wife, I usually drift into writing, creating, rearranging words on a screen. Mind a whir, could journey depths until dawn, but the clock of calculation, of sanity, of sacred sleep, tells me to stop. I go into my daughter’s room, turn down her light, I love you, I say to her curled up slumber. I meditate in my son’s room, the sound of his breathing, my pew, my stained glass, my sanctuary. Seated, darkness, air in, carbon dioxide out, first minutes filled with brain bouncing from thought to thought, the earlier, the tomorrow, the could happen. Then sometimes the indescribable now, when I’m nowhere, everywhere, witness to all time, and no time at all. Emerge a short life span later, pray for my colleague, that her malignant tumor retreats, allows life, hers to continue. It feels like I could stay forever, talking to God, to no one, to everyone.
exhaling visible emotion
ink onto page
alive each night if
only for these moments
toes touch sheets happy
the hours before are done
no more plodding through city
streets in laced up leather
free naked now
words moving across the page
composition notebook
indenting with cursive letters
pressing down, scribbled lines
fragments of thought
searching for truth night after night
sometimes finding things
like an old Hot Wheels car in
the sandbox, pull it out
examine chipped paint
try to recall when it was lost
describe what it looks like
loose front tire, red Camaro
“this is it,” I think
to reclaim, touch memory
unearth myself, the buried parts
No one reads what
I write anymore.
Used to race to paste
poems on the screen,
look at me, look at me,
my words for all to see.
Now these things just sit
floating above blue
machine made lines.
They hide here for my
delight, in a notebook
with secrets held tight.
